People’s Book Prize
Immortality comes in many shapes and guises. Illusory, for example. Sporting. Celluloid. But here is an offer unlike any other: the chance for immortality within a story. One character, in a forthcoming novel, bearing your name (or a name of your choice).
This could be you…
Think of the famous characters of the past: Mr Pickwick, Elizabeth Bennett, Becky Sharp. James Bond. Now squint, and imagine that a novel as yet unwritten by a new writer will be feted in 200 years’ time. Not easy, I know - and I try doing it all the time – but give it a go.
So here is how this works. There is such a thing as the People’s Book Prize. It is a Very Good Thing: a democratic book award. Wholly decided by public vote. It is designed to uncover new writing talent, raise the profile of libraries and celebrate reading. If you disapprove… Continue reading
LDM: the dust settles in the Evening Standard
There are some achievements in the field of human combat that resonate and echo down the centuries. Those guys on that bridge at… um… Thermopylae, maybe? The bowmen at Agincourt. The people who almost escaped from that prisoner-of-war camp, who are in that film.
Now, I am pleased to say, there is a new entry on this illustrious list, one that justifies this unprecedented two-posts-in-a-week intrusion into kind supporters’ long-suffering inboxes: my second-place in the febrile cauldron of dreams, lust and books that is the Literary Death Match. And before anyone quibbles or raises caveats about the worthiness of this feat to join the others aforementioned, let me ask you this: have any of the heroes of the past been celebrated in a glossy magazine owned by a Russian oligarch and given away free on Fridays? No, I rather thought not.
And finally, my friends, here is the clincher… Continue reading
Central Reservation reviewed by Times Literary Supplement
Well, now. Here’s the thing. Generally, in a post such as this, I would launch into some obscure and self-deprecatory flannel, which would lead, for those with the patience to navigate it, to the sheepish announcement of a fact subtly suggested by the title of this post: Central Reservation has just been reviewed in the TLS, which described it as an ‘ambitious and inventive’ and ‘subtle’ book in which ‘black comedy undercuts painful emotion’.
The reason for the sheepishness is that I am a firm believer in reserve and reticence, which are good and necessary things that inoculate right-thinking people from various forms of insanity, such as going on The Apprentice or entering politics.
However, I am aware that the line between these splendid virtues on the one hand and the horrors of timidity and false modesty on the other is faint and indistinct.
Basically, the question that arises is… Continue reading
Literary Death Match
Dear all – by which I mean lovely subscribers in particular, and very welcome casual visitors in general – this is the briefest of updates following an unconscionably long radio silence about a profoundly exciting event: Literary Death Match, in London, on 2 April.
To be honest, I’m not sure I need to sell an event called Literary Death Match as exciting: the title kind of does that for me. However, I am nailing my colours to the excitement mast, wrong as that sounds, because I am appearing at this event alongside – yes, alongside – such luminaries as Jon Ronson and DJ Taylor.
There’s more here, including details of times, tickets, location. It would be very lovely to see you if you can come, and to hear you if you fancied cheering (at apt moments, obviously, not when people drop books/fall over/read something profoundly moving and elegiac).… Continue reading
Bring out your dead
All right: ghosts. The last blog post was all about where to find them. This week cuts to the chase: why are they to be found at all? What, if you’ll forgive the question, does it all mean?
Image: Philip Halling
This, for me, connects to the place where I grew up. It was an old farmhouse. Properly old. It had a moat, absurdly. It had a long corridor and up in the wall at one end was a hole, which led through to uninhabited rooms. It had mice, bats, and no heating. My room had a spiral staircase set into the wall. Every night the steps creaked one-by-one, and it seemed like the tread continued in the empty room above.
The farm buildings were old, too. One had a white monk painted on it. Benedictine? Augustinian? No idea. I heard it was a symbol of protection against evil, and… Continue reading
Good weather for ghosts
Ghosts: a picky lot. Particular, I think is the word, and conservative in their tastes. This is most evident in the places they choose, by all accounts, to hang out. Open-plan offices are not really their thing. Nor leisure centres. In fact, their architectural preferences have a lot in common with those of Prince Charles: give them a bit of thatch and some original half-timbering, give them an attic or even better a cellar, and they are happy. Provide mood lighting and that’s it, really, you have a ghost magnet.
Image: flickr.com/barb_ar
Except often, weirdly, you don’t, and today’s blog, at this chill midwinter season, is about why. Why do some places that seem to fit the ghost bill, that have all the ingredients to be dark and spooky and atmospheric, turn out as dull as doorknobs or dishclothes or anything else domestic beginning with ‘d’; while others, not apparently… Continue reading
The launch
We have take-off! Actually, that should read we had take-off, because this post is about the launch party for Central Reservation on 1 November, at the Union Club in Soho. It contains pictures (well, all right, a link to pictures) and very remarkably, pictures that move and talk. On which front, here are some straight away. This is the brilliant John Were, CEO of Xelsion Publishing, talking about books, reading and new opportunities for everyone who loves both of these things in his very kind speech that kick-started proceedings:
Mostly this post is a chance to say thank you. First and foremost to John, without whom Central Reservation would not currently be nestled neatly on the bookshelves of shops and sparkling temptingly on the pages of Amazon. I have met many people with big ideas, but no-one else apart from John with the courage to give them a try,… Continue reading
I love you too [template]
I’ve often discussed with students what the worst thing ever is. Not as in actually the worst things ever, like disease and death and man’s inhumanity to man; they don’t count. The worst thing ever as in eating a biscuit slowly, bit by bit, and really looking forward to the last mouthful, and looking for it initially with delighted anticipation and then baffled frustration and finally the beginnings of the crushing realisation that you’ve eaten it already and forgotten. Which is certainly one of the worst things ever.
Image: the executive breakfast lounge (for reasons that will become clear)
It is not, however, the worst thing ever. Not any more. Because I have found out what the worst thing ever actually is – and who is responsible for this horror. It turns out that the perpetrator has been with me for months; has been a reliable (mostly) and certainly useful… Continue reading
Are you looking at me part III
I want you to imagine that I am staring you straight in the eye. It is a weird request, I know, but go with it. Visualise the stare. To provide inspiration, I typed ‘stare’ into flickr and this is what it gave me:
Image: flickr.com/Sarah G…
So, if you have the image, my question is this: how am I staring? Can you qualify the verb ‘staring’ with a juicy adverb – and here is the challenge – can you do so while avoiding cliché?
See, my contention is that there is no way to describe the act of staring that achieves this feat. All the adverbs that go with the verb ‘stare’ feel tired to me. When I think of staring, I think of staring ‘fixedly’. Or ‘unblinkingly’. Or ‘intently’, ‘steadily’, ‘blankly’. And every one of these feels like a cliché.
This is a matter close to my heart, since… Continue reading
Are you looking at me part II
Here’s a contention: some facial expressions do not exist. These are facial expressions we all know. We read them described in books. Occasionally we see actors on TV using them. If we were asked, we would know exactly what the facial expression was supposed to signify. In fact, these expressions are perfect in every way except one: no-one in real life has ever used them.
Image: flickr.com/stevendepolo
So, at this point you are probably feeling sceptical about my claim. I know how that looks. You have one eyebrow arched and your lips are pursed, right? Except, of course, you don’t and they aren’t. Were I trying (lazily) to indicate in a book that a character was feeling as sceptical as you are right now, that is how I would describe it, but it wouldn’t be true. At best I would guess that you have a slight tensing of the face… Continue reading
Will le Fleming is a novelist. His debut, Central Reservation, is published by Xelsion and available now. Read more...
On a grey Thursday morning Holly lay in bed, staring at the ceiling, and wished her sister would die. Five hours later her wish came true. Read more...
About this blog
The first post explains all - find it here.
